Reba Recalls the Red Dress That Grabbed Headlines

Reba Recalls the Red Dress That Grabbed Headlines
CMT honors the great Reba McEntire when “We Love Reba Takeover Weekend” launches Saturday (April 18). The two-day celebration will include a special concert featuring an outstanding lineup of her friends and her guest host spot on an all-new episode of CMT Hot 20 Countdown. In honor of her latest hit single, “Going Out Like… Read more »

Reba Recalls the Red Dress That Grabbed Headlines

Reba Recalls the Red Dress That Grabbed Headlines
CMT honors the great Reba McEntire when “We Love Reba Takeover Weekend” launches Saturday (April 18). The two-day celebration will include a special concert featuring an outstanding lineup of her friends and her guest host spot on an all-new episode of CMT Hot 20 Countdown. In honor of her latest hit single, “Going Out Like… Read more »

Live Review: The Replacements at the Hollywood Palladium (4/16)

Live Review: The Replacements at the Hollywood Palladium (4/16)

Explaining the importance of The Replacements, of going to their first non-Coachella southern California concerts since 1991, of getting blasted by 100 minutes of originals, covers, and even a new song, of seeing a reunion that was one of music’s most hotly demanded and deserving of skepticism, is, well, tough. The Minneapolis outfit is hard to be on the fence about, where the vast majority of people that encounter them subscribe religiously or discount completely. They are a band not just about songs or albums, but about where you were when you heard them, what the songs meant to you growing up (or what they still mean to you now that you have). It’s not surprising that the coming-of-age ’90s film Can’t Hardly Wait took its name from a Replacements song, as the band provided the soundtrack to generations of real-life coming-of-age experiences, and will continue to do so for further generations.

With all this in mind, maybe the most satisfying thing about how The Replacements have reformed and toured over the last couple years is how sacred the band realizes their work is, how highly they let it be held, and how special they have tried to make it for their fans. The shows have been limited to a few festivals a year and one-offs here and there, with this new run, dubbed as the “Back by Unpopular Demand Tour,” being the most legitimate touring cycle since the group’s reformation in 2012. Because of the scarcity of these shows, the band was able to sell out the two nights at the Palladium in Hollywood on Wednesday and Thursday, with the atmosphere of the room on the second night electric with anticipation. The predominantly male, predominantly over 35-years-old crowd were beyond excited to see the band they likely thought they never would, forming huge lines at the merch stand, and nearly all with beers constantly planted in their hands. They came for a good time and received exactly that.

24-The-Replacements

And for their part, The Replacements, featuring two original members in frontman Paul Westerberg and bassist Tommy Stinson, with two pro fill-ins in drumming legend Josh Freese and guitarist Dave Minehan, tried and succeeded in making the evening feel special. You didn’t need to look further than the big, goofy grins on opening act together PANGEA to understand just how fortunate all involved, from the (quite good) support to the fans, felt to be there. The Replacements get this and play to it, leaning on the beloved hits but also scattering in rarities, with Westerberg performing a couple songs solo and acoustic, and even getting a crew member to storm the stage for a trombone solo in “Can’t Hardly Wait”.

The commitment to the show also came in terms of setlist, with 29 songs ranging from the band’s earliest work to Westerberg’s post-Replacements solo material in “Ghost on the Canvas”. Westerberg even led the group through non-setlist surprises, a couple covers of “My Boy Lollipop” and “I Want You Back”, all playing polished, revealing the band to be a well-practiced machine, capable of going off-script and still sounding like it was all part of the master plan. These shows aren’t just thrown together; they are something The Replacements clearly take very seriously.

The setlist additions seemed to be penance for a couple weird, amusing technical mishaps. During “Bastards of Young”, the entire second verse featured Westerberg’s guitar strap coming loose and a roadie struggling to reattach it while the singer tried to keep up with his parts. On “I’ll Be You”, Westerberg’s microphone stand got loose, and the height slowly retracted, with the singer performing some of the song on one knee. But these all played like charming goofs, paradigms for why the band is so likable in the first place, how their mistakes could be seen as attributes when looked on as a whole.

41-The-Replacements

The concert’s best moments were the expected ones. “Valentine” saw the band gel into a loose and beaming unit, creating a state of euphoria in the audience. Even Stinson noticed, chiming in that they had “finally gotten that one right after a year of practice.” And while Westerberg still needed a few smokes to get through the set, he didn’t lie about the maturing aspect of the band, speaking about how they used to drink all day and now spent the afternoon at the gym. Even the new jam they performed was a goof about shopping at Whole Foods Market.

The completion of growing up, of coming of age, is part of The Replacements’ appeal at this point. Seeing a reckless band of 50-somethings would be flat-out depressing, but seeing a surviving band channeling their youthful energy for a night is inspiring. And on that, it created a context for the timelessness of “Alex Chilton”, “Left of the Dial”, and a dozen of the other songs The Replacements played. If the question was posed as to why The Replacements were so special to so many people, their performance was the definitive answer.

The Replacements’ set list:
I’m in Trouble
Kissin’ in Action (Snippet of “Iron Man” (Black Sabbath))
Little Mascara
Color Me Impressed
Love You Till Friday
Maybellene (Chuck Berry cover)
Treatment Bound
Take Me Down to the Hospital
Waitress in the Sky
Valentine
Achin’ to Be
Kiss Me on the Bus
Nobody
I Will Dare
Tommy Gets His Tonsils Out (Snippet of “3rd Stone from the Sun” (Hendrix))
Sixteen Blue
The Ledge
I’ll Be You
Whole Food Blues
Can’t Hardly Wait
Bastards of Young
My Boy Lollipop (Barbie Gaye cover)
Never Mind
First Encore
Ghost On The Canvas
Skyway
Left of the Dial
Alex Chilton
Second Encore
I Want You Back (The Jackson 5 cover)
I.O.U.

The Replacements // Photo by Philip Cosores
Together Pangea // Photo by Philip Cosores
Together Pangea // Photo by Philip Cosores
Together Pangea // Photo by Philip Cosores
Together Pangea // Photo by Philip Cosores
The Replacements // Photo by Philip Cosores
The Replacements // Photo by Philip Cosores
The Replacements // Photo by Philip Cosores
The Replacements // Photo by Philip Cosores
The Replacements // Photo by Philip Cosores
The Replacements // Photo by Philip Cosores
The Replacements // Photo by Philip Cosores
The Replacements // Photo by Philip Cosores
The Replacements // Photo by Philip Cosores
The Replacements // Photo by Philip Cosores
The Replacements // Photo by Philip Cosores
The Replacements // Photo by Philip Cosores
The Replacements // Photo by Philip Cosores

Black-Am-I – In the Ghetto

Black-Am-I – In the Ghetto

Black Am I, the Rising Roots Reggae Singer is Currently Touring U.S. in Support of the Set Up Shop 2, Album with Featured Artists Cham, Wayne Marshall, Jo Mersa and Christopher Ellis The FADER Premiered the Dameon Gayle Directed Video. Hailing from Nine Mile, Jamaica – Black-Am-I is the newest recruit on the Ghetto Youths […]

The post Black-Am-I – In the Ghetto appeared first on World A Reggae Magazine | Unifying people through Reggae Music.

Black-Am-I – In the Ghetto

Black-Am-I – In the Ghetto

Black Am I, the Rising Roots Reggae Singer is Currently Touring U.S. in Support of the Set Up Shop 2, Album with Featured Artists Cham, Wayne Marshall, Jo Mersa and Christopher Ellis The FADER Premiered the Dameon Gayle Directed Video. Hailing from Nine Mile, Jamaica – Black-Am-I is the newest recruit on the Ghetto Youths […]

The post Black-Am-I – In the Ghetto appeared first on World A Reggae Magazine | Unifying people through Reggae Music.

Apocalyptica Tour Diary, Part 1

Apocalyptica Tour Diary, Part 1
[futureusgallerycaption id=”attachment_73112″ align=”aligncenter” width=”630″]Photo: Ralf Strathmann Photo: Ralf Strathmann
jQuery(document).ready(function($ ){
// $ (‘html’).addClass(‘gallery’);
});

As Apocalyptica make their way around the country with Sixx:AM and Vamps in support of their new album, ‘Shadowmaker,’ they will blogging about their experiences for Revolver.

Entry by Franky Perez.

Hello, my name is Franky Perez. Over the years I’ve sung for numerous projects, among them Slash & Friends, Camp Freddy, Kings of Chaos as well as my own band The Truth. I’m probably best known for my time in Scars on Broadway where I played guitar along side Daron and John of System of A Down. Currently I am the new singer of “your favorite Finnish cello metal band”… Apocalyptica (fuck, that’s a mouthful)! Our new album ‘Shadowmaker ‘is due to be released on April 21 and we’ve hit the road to promote it. We’re kicking it all off with our boy Nikki Sixx’s band Sixx:A.M., and Japan’s own Vamps. Over the next couple of weeks I’ll be checking in with you from the road and letting you in on what life is like as we make our way through North America on the Modern Vintage tour.

The first week of the tour kicked off at the Regency Theater in beautiful San Francisco. Before the first band on the bill (Vamps) took the stage, all three bands on the tour met in an empty room beneath the venue for a quick intro between bands and a photo to commemorate the kickoff of the tour. I’ve seen this scene before… everyone smiley and optimistic the room filled with the sounds of the “good lucks” and the “I cant wait to see your sets” but sadly, nine outta 10 times bands and crews are “mother-fucking” each other by the end of the first week. It may be to soon to tell but I think that won’t be the case here. Every band on this tour has made their bones, paid their dues, and are happy to be at the party.

San Fran went off without a hitch. The venue was top-notch, the crowd was amazing (which included Lars Ulrich a long time friend of Apocalyptica), and all three bands tore the PA apart at the seams… What a great way a to start a tour!

Next stop … The Joint in My home town Las Vegas! I would bet that between Ashba (who lives in LV) and I, we probably made up for 95% of the guest list. The joint is a big room inside of the hard rock Hotel and Casino. All three bands have a nice following in Vegas so the room was nearly full before the opening act took the stage. Being that we’re direct support for Sixx:A.M., my band Apocalyptica has the difficult job of following Vamps who bring it with Japanese precision every night and then having to hold our own before the headliners take the stage. I’m proud to say that the Fins and I did not disappoint. The fans were as enthusiastic about the new material we played from our upcoming release ‘Shadowmaker’ as they were Apocalyptica’s older material. After a kick-ass show the boys and I all headed over to my buddy Brett’s hotel the Tuscany where we ate, gambled a little bit, and watched Vegas all star cover band Tinitus. The bus picked us up in Valet at 2 A.M. and from there we jumped on to the moonlit I15 to make our way to L.A. for the last show of the week.

In L.A. we played Club Nokia to a packed house who included my buddies Duff, Billy Duffy, and Bob Rock.. The PA in Nokia is pristine and clear as a bell which leaves no room for scrubs. By the reaction of the capacity filled room all three bands showed up with their A-game.

With the first week of The Modern Vintage tour behind us and with no fist fights breaking out between bands or crew (which would be massacre because rumor has it that the boys of Vamps moonlight as ninjas), every thing is good in the twisted world known as a rock ‘n’ roll tour.

Listen and request our new single “Cold Blood” on your local radio station and look out for our new album ‘Shadowmaker’ due April 21.

Horns up wheels down,
Franky

Apocalyptica Tour Diary, Part 1

Apocalyptica Tour Diary, Part 1
[futureusgallerycaption id=”attachment_73112″ align=”aligncenter” width=”630″]Photo: Ralf Strathmann Photo: Ralf Strathmann
jQuery(document).ready(function($ ){
// $ (‘html’).addClass(‘gallery’);
});

As Apocalyptica make their way around the country with Sixx:AM and Vamps in support of their new album, ‘Shadowmaker,’ they will blogging about their experiences for Revolver.

Entry by Franky Perez.

Hello, my name is Franky Perez. Over the years I’ve sung for numerous projects, among them Slash & Friends, Camp Freddy, Kings of Chaos as well as my own band The Truth. I’m probably best known for my time in Scars on Broadway where I played guitar along side Daron and John of System of A Down. Currently I am the new singer of “your favorite Finnish cello metal band”… Apocalyptica (fuck, that’s a mouthful)! Our new album ‘Shadowmaker ‘is due to be released on April 21 and we’ve hit the road to promote it. We’re kicking it all off with our boy Nikki Sixx’s band Sixx:A.M., and Japan’s own Vamps. Over the next couple of weeks I’ll be checking in with you from the road and letting you in on what life is like as we make our way through North America on the Modern Vintage tour.

The first week of the tour kicked off at the Regency Theater in beautiful San Francisco. Before the first band on the bill (Vamps) took the stage, all three bands on the tour met in an empty room beneath the venue for a quick intro between bands and a photo to commemorate the kickoff of the tour. I’ve seen this scene before… everyone smiley and optimistic the room filled with the sounds of the “good lucks” and the “I cant wait to see your sets” but sadly, nine outta 10 times bands and crews are “mother-fucking” each other by the end of the first week. It may be to soon to tell but I think that won’t be the case here. Every band on this tour has made their bones, paid their dues, and are happy to be at the party.

San Fran went off without a hitch. The venue was top-notch, the crowd was amazing (which included Lars Ulrich a long time friend of Apocalyptica), and all three bands tore the PA apart at the seams… What a great way a to start a tour!

Next stop … The Joint in My home town Las Vegas! I would bet that between Ashba (who lives in LV) and I, we probably made up for 95% of the guest list. The joint is a big room inside of the hard rock Hotel and Casino. All three bands have a nice following in Vegas so the room was nearly full before the opening act took the stage. Being that we’re direct support for Sixx:A.M., my band Apocalyptica has the difficult job of following Vamps who bring it with Japanese precision every night and then having to hold our own before the headliners take the stage. I’m proud to say that the Fins and I did not disappoint. The fans were as enthusiastic about the new material we played from our upcoming release ‘Shadowmaker’ as they were Apocalyptica’s older material. After a kick-ass show the boys and I all headed over to my buddy Brett’s hotel the Tuscany where we ate, gambled a little bit, and watched Vegas all star cover band Tinitus. The bus picked us up in Valet at 2 A.M. and from there we jumped on to the moonlit I15 to make our way to L.A. for the last show of the week.

In L.A. we played Club Nokia to a packed house who included my buddies Duff, Billy Duffy, and Bob Rock.. The PA in Nokia is pristine and clear as a bell which leaves no room for scrubs. By the reaction of the capacity filled room all three bands showed up with their A-game.

With the first week of The Modern Vintage tour behind us and with no fist fights breaking out between bands or crew (which would be massacre because rumor has it that the boys of Vamps moonlight as ninjas), every thing is good in the twisted world known as a rock ‘n’ roll tour.

Listen and request our new single “Cold Blood” on your local radio station and look out for our new album ‘Shadowmaker’ due April 21.

Horns up wheels down,
Franky